Make sure you understand the three types of Min7 chords are pretty easy, just play a shell in the left and play a major triad built from the flat seven or flat three. Here are some examples from the key of C. then you can play the triad off the fifth or the second note which gives you a beautiful sharp 11. If the maj7 is not the key of the song, aka a IVmaj7 or bIImaj7, bVImaj7, etc. So on a Cmaj7, you play a G triad in your right hand. If the maj7 is the key of the song, aka the Imaj7 chord, then you can play a shell voicing in the left and a major triad in the right built off the fifth note of the chord. It is possible to use minor, diminished, and augmented triads but I am going to stick to major triads here because they have the strongest sound. Or even just the guide tones (third and seventh) and your right hand plays a triad that contains colorful notes. This just means that your left hand plays a simple The easiest way to play two handed chords is through the use of upper structure triads. If you are advanced enough you can even play melodies with two hands by making the melody note the same as the top note of your chord. Two handed chords are great for comping behind a soloist.
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